In this excerpt, Sandra Eleta discusses her experiences entering Portobelo as an outsider and the ways in which the children of the town served as a bridge to integrate her into the community.

In this excerpt, Sandra Eleta discusses her experiences entering Portobelo as an outsider and the ways in which the children of the town served as a bridge to integrate her into the community.
In this excerpt, Sandra Eleta shares her first impressions of the Congo tradition of Portobelo and how she became exposed to it through a Congo practitioner named Longaniza and his daughter Paloma.
In this excerpt, Sandra Eleta discusses the founding and operation of Taller Portobelo Women’s Cooperative, a textile-arts workshop for local women.
In this excerpt, Maestro Andrés discusses the changes he witness in the tradition after the advent of “the road.” He especially focuses on the changes he has seen with respect to the devil character.
In this excerpt, he discusses his favorite childhood memories of the tradition when the town was more isolated and Congo communities visited each other via boat during carnival season.
In this excerpt, Chavarría talks about his choice to play the devil role in the Congo tradition and shares his memories of how he came to play the role for the first time as a school-aged boy.
In this excerpt, Chavarría discusses the ways in which the Devil’s mask initially captured his attention and the double perspective/participant-observer position that it provides.
In this excerpt, Solís discusses the one-person performance that she created through her theater company to celebrate Celedonio and the Major Devil tradition of Portobelo, Panama.
In this excerpt, Chavarría discusses how he imagines retiring as Major Devil.
In this excerpt, Chavarría discusses his mentor Celedonio Molinar’s lasting legacy to the town and to the Congo tradition, including a charge to embrace the tradition with pride and joy.