In this excerpt, Jiménez describes the “pujido”/”grunt” that the devil character uses to build internal energy and externalize it. He then discusses his interpretation of its relationship to the occult and a potential existential compromise.
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Celedonio Molinar Selling the Devil
In this excerpt, Molinar discusses the practice of symbolically selling the devil at the conclusion of the Congo game and his interpretation of what the devil character represents within the Congo tradition.
Ileana Solis Palma Ritualized Preparation to Transform into Major Devil
In this excerpt, Solís discusses the ritual process that Celedonio used to prepared to “transform” into the Major Devil character.
Ileana Solis Palma Economy and Violent Embodiment of Devils
In this excerpt, Solís discusses the relationship between the economy and the increasingly violent ways in which younger generations of devils within Congo traditions of Panama embody the character.
Ileana Solis Palma Energy and Magnetism of Celedonio
In this excerpt, Ileana discusses the unique energy and magnetism that made Celedonio Molinar’s embodiment of the devil character within the Congo tradition of Portobelo, Panama so special.
Ileana Solis Palma Legacy of Celedonio
In this excerpt, Solís discusses what she believes is the legacy of Celedonio Molinar, renowned Major Devil in the Congo tradition of Portobelo, Panama.
Ileana Solis Palma Enchantment at Seeing Celedonio
In this excerpt, Solís discusses the enchantment she felt the first time that she witnessed Celedonio Molinar performing the role of Major Devil, the baptism of the devils, and how she learned about the performance traditions of Portobelo, Panama.
Simona Esquina Razor Blades in Devil Whips
In this excerpt, Esquina discusses the changes she has seen in the Congo tradition over the course of her lifetime. Specifically, she talks about changes that she has witnessed in ways in which younger practitioners who perform the role of devil in other communities sometimes put razor blades in their whips, which violates the nature of the game.
Simona Esquina Changes to how the Devil is Played
In this excerpt, Esquina discusses the changes she has seen in the Congo tradition over the course of her lifetime. Specifically, she talks about changes that she has witnessed in ways in which the devil character is played.
Raul Orlando Jimenez Delgado Beginning to Play Devil
In this excerpt, Jiménez discusses how he began to play the devil character in the Congo tradition.