In this excerpt, Chavarría responds to the question, “One hundred years in the future when scholars are studying the Congo tradition in Portobelo, what are the most important things that they should know?”
![](https://portobelodigital.org/wp-content/uploads/sites/20/2014/09/Elsa-Molinar-de-la-Fuentes-Dancing-Congo-with-her-Grandson-Photo-by-Renee-A-Craft-624x468.jpg)
In this excerpt, Chavarría responds to the question, “One hundred years in the future when scholars are studying the Congo tradition in Portobelo, what are the most important things that they should know?”
In this excerpt, Molinar discusses the current existence of three people who play the role of Major Devil in the Congo tradition even though the official narrative about the tradition only signifies one Major Devil character playing at any one time.
In this excerpt, Molinar discusses the process by which the Major Devil is chosen and trained for the role. He also clarifies that he ascended to the role of Major Devil in Nombre de Dios and arrived in Portobelo with the experience and title to play the role.
In this short excerpt, Molinar discusses his choice to come out as Major Devil each year even after training others to do so.
In this excerpt, Esquina recounts watching her father, Vicente Esquina, get dressed as the Congo King and accompanying him to the palenque/palacio to play Congo. Memories of her father’s participation as king mark some of Esquina’s earliest recollections of the tradition.