In this excerpt, Chavarría discusses the meaning and purpose of the Congo tradition as well as a recent opportunity to talk about the Portobelo Congo tradition with a colleague from the Democratic Republic of Congo.

In this excerpt, Chavarría discusses the significance and meaning of the devil character in the Congo tradition.

In this excerpt, Chavarría shares memories about how the Congo tradition of Portobelo was enacted before “the road” opened up the town to the broader community. Then, Congo carnival was a intimate community celebration in which everyone participated.

In this excerpt, Chavarría discusses how he imagines retiring as Major Devil.

In this excerpt, Chavarría discusses his mentor Celedonio Molinar’s lasting legacy to the town and to the Congo tradition, including a charge to embrace the tradition with pride and joy.

In this excerpt, Chavarría talks about the importance of the Congo tradition and Congo dance to the community’s sense of pride and self. He urges young people to maintain the power of their traditions and to stay anchored to their sense of “place” and home.

In this excerpt, Chavarría shares childhood memories about how the Congo tradition was enacted before “the road.” In the “closed” community people did not work during carnival season, pooled resources, shared food, and communed together for several days as part of their celebration.

In this excerpt, Chavarría shares a story about what happened when the Major Devil played the starring role in the Passion of Christ.

In this excerpt, Chavarría responds to the question, “One hundred years in the future when scholars are studying the Congo tradition in Portobelo, what are the most important things that they should know?”

In this excerpt, Chavarría discusses the way in which hierarchies of Congo Devils greet one another, how they are baptized within the tradition, and the importance of crossing one’s feet and “dancing” in the devil way.