In this excerpt, Chavarría talks about the importance, for him, of playing the Devil character from “emotion” and his decision to break away from a particular ritual that marked his mentor’s embodiment of Major Devil.
In this excerpt, Chavarría talks about the importance, for him, of playing the Devil character from “emotion” and his decision to break away from a particular ritual that marked his mentor’s embodiment of Major Devil.
In this excerpt, Chavarria talks about his history of involvement in local politics and offers his unique perspective as Major Devil in the Congo tradition and Mayor of Portobelo district. The district includes: Isla Grande, Juan Gallego, La Guaira, Puerto Lindo o Garrote, Cacique, Jose Pobre, Valle Estilla, San Antonio, Nuevo Tonosi, Portobelo, La Escucha, Buenaventura, Guanche, Mechi, Alto de la Cruz, Playa Langosta, Rio Piedra, María Chiquita, Las Mercedes y Las Merceditas.
In this excerpt, Chavarría discusses the process by which he became Major Devil in the Congo tradition of Portobelo, Panama.
In this excerpt, Jiménez describes the “pujido”/”grunt” that the devil character uses to build internal energy and externalize it. He then discusses his interpretation of its relationship to the occult and a potential existential compromise.
In this excerpt, Molinar shares his experience of being symbolically blessed or “baptized” as the Major Devil character. Just as the “pujido” or “grunt” helps to amplify internal energy, the process of being symbolically baptized helps to abate energy.
In this excerpt, Molinar discusses the practice of symbolically selling the devil at the conclusion of the Congo game and his interpretation of what the devil character represents within the Congo tradition.
In this excerpt, Molinar discusses a few of the changes that he has witnessed in the devil character’s embodiment within the tradition that displease him and responds to Arturo Lindsay’s question regarding the escalating violence he has witnessed with the way some younger practitioners wield their whips.
In this excerpt, Molinar discusses the current existence of three people who play the role of Major Devil in the Congo tradition even though the official narrative about the tradition only signifies one Major Devil character playing at any one time.
In this excerpt, Solís discusses the ritual process that Celedonio used to prepared to “transform” into the Major Devil character.
In this excerpt, Solís discusses the relationship between the economy and the increasingly violent ways in which younger generations of devils within Congo traditions of Panama embody the character.