In this excerpt, Chavarría discusses the significance and meaning of the devil character in the Congo tradition.
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Carlos Chavarria Memories of Congo before the Road
In this excerpt, Chavarría shares memories about how the Congo tradition of Portobelo was enacted before “the road” opened up the town to the broader community. Then, Congo carnival was a intimate community celebration in which everyone participated.
Carlos Chavarria Meaning and Purpose of Congo Tradition
In this excerpt, Chavarría discusses the meaning and purpose of the Congo tradition as well as a recent opportunity to talk about the Portobelo Congo tradition with a colleague from the Democratic Republic of Congo.
Carlos Chavarria Childhood Memories of Congo before the Road
In this excerpt, Chavarría shares childhood memories about how the Congo tradition was enacted before “the road.” In the “closed” community people did not work during carnival season, pooled resources, shared food, and communed together for several days as part of their celebration.
Carlos Chavarria Major Devil in the Passion of the Christ
In this excerpt, Chavarría shares a story about what happened when the Major Devil played the starring role in the Passion of Christ.
Carlos Chavarria Most Important Things to Know about Congo in Portobelo
In this excerpt, Chavarría responds to the question, “One hundred years in the future when scholars are studying the Congo tradition in Portobelo, what are the most important things that they should know?”
Ileana Solis Palma Participation in Los Trashumantes
In this excerpt, Ileana discusses her participation with “Los Trashumantes,” the only theater group in Panama that was paid to do community theater and the Omjar Torrijos’ support for artistic culture.
Ileana Solis Palma Childhood in an Impoverished Neighborhood
In this excerpt, Ileana discusses being raised by a hardworking middle-class mother within the economically impoverished neighborhood of Calidonia and the centrality of art to her personal development.
Carlos Chavarria Devil Greetings, Baptisms, and Crossing Feet
In this excerpt, Chavarría discusses the way in which hierarchies of Congo Devils greet one another, how they are baptized within the tradition, and the importance of crossing one’s feet and “dancing” in the devil way.
Carlos Chavarria Last Performance of Celedonio
In this excerpt, Chavarría discusses his memory of the last time the renowned Celedonio Molinar performed as devil and how his mentor retired in 2003 after being honored at that year’s Festival de los Diablos.