In this excerpt, Chavarría discusses the ways in which the Devil’s mask initially captured his attention and the double perspective/participant-observer position that it provides.
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Carlos Chavarria Changes to the Major Devil
In this excerpt, Chavarría discusses the ways in which the Major Devil character has changed over his lifetime. He focuses particularly on his choice to follow his mentor’s example by wearing a smaller mask and discusses the value of smaller masks in relationship to the value of larger ones, which many younger devils choose to wear.
Carlos Chavarria Future Retirement as Major Devil
In this excerpt, Chavarría discusses how he imagines retiring as Major Devil.
Carlos Chavarria Legacy of Celedonio
In this excerpt, Chavarría discusses his mentor Celedonio Molinar’s lasting legacy to the town and to the Congo tradition, including a charge to embrace the tradition with pride and joy.
Carlos Chavarria Importance of Congo for Community Pride
In this excerpt, Chavarría talks about the importance of the Congo tradition and Congo dance to the community’s sense of pride and self. He urges young people to maintain the power of their traditions and to stay anchored to their sense of “place” and home.
Carlos Chavarria Childhood Memories of Congo before the Road
In this excerpt, Chavarría shares childhood memories about how the Congo tradition was enacted before “the road.” In the “closed” community people did not work during carnival season, pooled resources, shared food, and communed together for several days as part of their celebration.
Carlos Chavarria Major Devil in the Passion of the Christ
In this excerpt, Chavarría shares a story about what happened when the Major Devil played the starring role in the Passion of Christ.
Simona Esquina Changes to the Congo Tradition
In this excerpt, Esquina discusses the changes she has seen in the Congo tradition over the course of her lifetime. Specifically, she talks about the rare existence of two palacios in 2003 and the shifting commitment of Congo practitioners who once participated in the tradition exclusively and without interruption during carnival season before the road was constructed in the early 1970s, which connected Portobelo and the rest of the Coasta Arriba to the broader Republic.
Simona Esquina Changes to how the Devil is Played
In this excerpt, Esquina discusses the changes she has seen in the Congo tradition over the course of her lifetime. Specifically, she talks about changes that she has witnessed in ways in which the devil character is played.
Simona Esquina Mama Guardia
In this excerpt, Esquina discusses the changes she has seen in the Congo tradition over the course of her lifetime. Specifically, she talks about the role that a character named “Mama Guardia” once played.