In this excerpt, Chavarría discusses how he imagines retiring as Major Devil.
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Carlos Chavarria Legacy of Celedonio
In this excerpt, Chavarría discusses his mentor Celedonio Molinar’s lasting legacy to the town and to the Congo tradition, including a charge to embrace the tradition with pride and joy.
Carlos Chavarria Devil Greetings, Baptisms, and Crossing Feet
In this excerpt, Chavarría discusses the way in which hierarchies of Congo Devils greet one another, how they are baptized within the tradition, and the importance of crossing one’s feet and “dancing” in the devil way.
Carlos Chavarria Last Performance of Celedonio
In this excerpt, Chavarría discusses his memory of the last time the renowned Celedonio Molinar performed as devil and how his mentor retired in 2003 after being honored at that year’s Festival de los Diablos.
Carlos Chavarria Style of Devil
In this excerpt, Chavarría discusses his particular style of “Devil” embodiment within the Congo tradition and the way others perceive of his performance. He also talks about the respect devils from outside of the community give to the devil of the town they are visiting. Each visiting devil must submit to the rules of the game as practiced by the local community.
Celedonio Molinar How the Major Devil is Chosen and Trained
In this excerpt, Molinar discusses the process by which the Major Devil is chosen and trained for the role. He also clarifies that he ascended to the role of Major Devil in Nombre de Dios and arrived in Portobelo with the experience and title to play the role.
Raul Orlando Jimenez Delgado Participation of Family Members in Congo
In this excerpt, Jiménez talks about the participation of other family members in the Congo tradition, including an older brother who has performed the role of Pajarito and a younger brother who has performed the role of devil. His father, Andrés, also performed in the role of priest in the Congo tradition and, like him, was trained in his role by Celedonio Molinar.
Celedonio Molinar Continuing as Major Devil
In this short excerpt, Molinar discusses his choice to come out as Major Devil each year even after training others to do so.
Raul Orlando Jimenez Delgado Portobelo as Birthplace of Devil Character
In this excerpt, Jiménez discuses the ways in which the 20th century notion of the devil character in the Congo tradition of Panama was “born” in Portobelo and discusses the ways in which his mentor in the tradition, Celedonio Molinar, brought back the practice of “Blessing the Devils.”
Celedonio Molinar The Pujido
In this excerpt, Molinar explains the “pujido,” a sound that the devils within the Congo tradition of Panama make that is a part of their embodiment of the character. The literal translation of the word is “grunt,” but the effect is more than that. The sound amplifies internal energy and is done in response to both internal desires and external stimuli.