Gustavo Esquina discusses the relationship between Barrio Fino and Congo carnival traditions.
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Andres Jimenez End of Participation and Changes after the Road
In this excerpt, Maestro Andrés discusses his reasons for no longer participating in the Congo tradition and the changes he has seen in the tradition with the advent of “the road.”
Carlos Chavarria Significance and Meaning of Devil
In this excerpt, Chavarría discusses the significance and meaning of the devil character in the Congo tradition.
Andres Jimenez Changes to Devil
In this excerpt, Maestro Andrés discusses the changes he witness in the tradition after the advent of “the road.” He especially focuses on the changes he has seen with respect to the devil character.
Andres Jimenez Impact of Tourism
In this excerpt, Maestro Andrés discusses the impact of tourism on the tradition, including the monetization of various aspects and changes in costuming. In describing the current tradition, he references the impact of the “the road” on the town. At this point in the recording, the tape appears to have sped up causing distortion.
Carlos Chavarria Playing Devil from Emotion
In this excerpt, Chavarría talks about the importance, for him, of playing the Devil character from “emotion” and his decision to break away from a particular ritual that marked his mentor’s embodiment of Major Devil.
Carlos Chavarria Becoming Major Devil
In this excerpt, Chavarría discusses the process by which he became Major Devil in the Congo tradition of Portobelo, Panama.
Carlos Chavarria Style of Devil
In this excerpt, Chavarría discusses his particular style of “Devil” embodiment within the Congo tradition and the way others perceive of his performance. He also talks about the respect devils from outside of the community give to the devil of the town they are visiting. Each visiting devil must submit to the rules of the game as practiced by the local community.
Carlos Chavarria Choosing to Play the Devil
In this excerpt, Chavarría talks about his choice to play the devil role in the Congo tradition and shares his memories of how he came to play the role for the first time as a school-aged boy.
Carlos Chavarria Devil’s Mask
In this excerpt, Chavarría discusses the ways in which the Devil’s mask initially captured his attention and the double perspective/participant-observer position that it provides.